A MISSION TO A KILL

A MISSION TO A KILL

Screenplay by

Don Herbert & 7 Members of the Amgbapu Family.

LOGLINE:

The CIA gets intel that an American billionaire has compromised twelve other rogue CIA agents to assassinate the US presidential elect before the swearing in date, and the best CIA operative is to eliminate these assassins even at the expense of his own life.

FADE IN:

PUBLISH SHOT: The WHITE HOUSE, WASHINGTON DC. USA.

MUSIC:

1. EXT. ROOFTOP OF A HIGH RISE BUILDING. DUSK.

We see three men that veil their faces. Only their eyeballs are visible. They wear black skintight dresses. They point AK-47 rifles toward the sky. They stand in line like veteran soldiers. They stand stiff like dead corpse. They are on a mission to a kill.

SMASH CUT:

2. EXT. THE WHITE HOUSE. DUSK.

We see the presidential elect on a motorcade. We see his wife and daughter as they both wave seriously at the bystanders. We see a joyous crowd.

SMASH CUT:

We see three OTHER MEN on top of THE SAME HIGH RISE BUILDING. They were all wearing white jackets. They all have mounted earpieces on their left ears. They do not expect trouble so soon. Their eyes are concentrated on the presidential elect. These men spy for the government.

SMASH CUT:

We see THREE MEN IN BLACK SKIN TIGHT VESTS sneak toward THREE OTHER MEN WHO WEAR WHITE JACKETS, WHITE TIES, WHITE INNER SHIRTS, BLACK PANTS, and SHOES. These men work for the US SECRET SERVICE.

3. EXT. ROOFTOP. HIGH RISE BUILDING. DUSK.

We see three men in black. They point their AK-47 RIFLES at these men in white. They pull their triggers. They fire. PAP… PAP… PAP….

3A. ON THE STREET THAT IS DIAGONAL TO THE WHITE HOUSE. PENNSYLVANIA AVENUE: We hear the bystanders and the crowd as they cheer the new presidential elect of America.

3B. ROOFTOP:

We see bullets hit the three secret service agents on the back of their heads. Blood splashes out from the back of the heads of the three secret service agents. We see them drop dead at the same time.

SERIES OF SHOTS:

We see a repeat of the same action on THREE OTHER HIGH RISE BUILDINGS. We see four different sets of snipers, in batches of three persons each, fire twelve secret service agents in four different buildings at the same time. We see TWELVE SECRET SERVICE AGENTS DEAD IN A MINUTE.

3C. ON THE STREET THAT IS DIAGONAL TO THE WHITE HOUSE. PENNSYLVANIA AVENUE:

We hear crowds of people who jubilate. We see the presidential elect, waving and kissing his right palm. Then we hear the roar of twelve gunshots.

We see the presidential elect drops onto the floor of the motorcade. We see his wife and daughter look shocked.

THE WIFE OF THE PRESIDENTIAL ELECT

Oh! My God! They shoot him!

THE DAUGHTER OF THE PRESIDENTIAL​ ELECT

Daddy! Daddy! Don’t die! Mom, who shoots daddy?! Why do they have to shoot him?!

CLOSE ON:

We see a middle aged woman in front of the crowd on the street with her mouth agape. Her eyes are bedazzled.

MIDDLE AGED WOMAN IN FRONT OF THE CROWD

My gosh! They shoot the presidential elect of America! Does he deserve it?!

She uses her hands to cover her mouth. She looks shocked. She appears electrified. She looks bewildered.

BLACK:

TITLE CARDS:

A MISSION TO A KILL.

4. EXT. ON THE STREET THAT IS DIAGONAL TO THE WHITE HOUSE. PENNSYLVANIA AVENUE. DUSK.

We see CIA agent, AXIMAS SAMIXA, race to pick up the presidential​ elect from the floor of the motorcade. We see him talk to the head of the US secret service, BADASI ISABAD, on the earpiece in his left ear.

AXIMAS

(V.O.)

Badasi! Ask your men to cover the presidential elect right away!

BADASI

(V.O.)

OK. We’ll do so at once. Any intel on who is behind this?

AXIMAS

(V.O.)

Not that I know of. But we have resources. We’ll get to that point soon?

We hear ambulance siren blaring. We see an ambulance screech to a halt. We see two paramedics rush out with a stretch bed. We see them lift the body of the presidential elect on to the stretcher.

We see bystanders and the crowd run for their dear lives. We hear five police patrol cars activate their sirens.

We see AXIMAS grasp the wife of the presidential elect and daughter. We see him take them to the front seat of the ambulance. We see the ambulance take off. We see two police patrol cars trail behind the ambulance.

We see BADASI approach Maxima.

BADASI

These shots come from four different Angles.

AXIMAS

I know. Find out the state of affairs of your men on the rooftops.

BADASI

I do already. The twelve men at the rooftops are all dead.

AXIMAS

Killed?

BADASI

Yes.

AXIMAS

Too bad.

AXIMAS looks at the four tallest structures to the North, South, East and West.

LONG SHOT:

BANK OF AMERICA TOWER. DUSK.

We see three men who wear black veils and skintight vests, gazing at the crowd.

AXIMAS sees three men on top of the Northern high rise building. He sprints to a police officer on a speed bike, CAMADI IDAMAC.

AXIMAS

Can I use your bike to reach that tower up there? CIA. AXIMAS.

CAMADI

Sure, sir. On government service.

We see the police officer disembark from the speed bike and AXIMAS take charge. The siren blares, and he speeds off.

We see two other police cars followed behind AXIMAS' speed bike.

5. EXT. BANK OF AMERICA TOWER. NIGHT.

We see three men with black veils covered, come out of the main entrance to the Bank of America tower. They are CAPOL LOPAC, DANPOT TOPNAD, and EBIN NIBE.

HIGH WAY TO BANK OF AMERICA TOWER:

We see AXIMAS jump down from the moving bike without switching off the engine and park by the roadside. We see him pull his gun from his holster. We see the three snipers also pull their pistols and fire three shots at AXIMAS.

We see AXIMAS as he uses his gun to stop the three bullets in midair by firing back, not at the snipers, but the bullets. We see the three snipers looking astonished at the performance.

They run into three different sedans. We see AXIMAS take aim and fire CAPOL.

6. INT. INSIDE CAPOL'S SEDAN. NIGHT:

We heard a single gun shot. We see that the bullet hits CAPOL on the head. We see a bullet hole, and we see blood gushing out of the head.

7. EXT. ACROSS THE ROAD TO THE BANK OF AMERICA TOWER. NIGHT.

An old lady across the road stands​ witness to the cold shot. She appears to be horrified by the cold killing of CAPOL.

OLD LADY ACROSS THE ROAD

You just kill somebody! What the heck is going on with American culture?

AXIMAS

He takes a quick look at the old woman. She is no threat. She is not in the know. Best thing to do is to ignore her and do the job.

HIGH WAY PARALLEL TO THE BANK OF AMERICA TOWER:

We see the other two snipers as they speed off. We also see two police patrol cars chase them.

FADE OUT:

(END OF THE FIRST 5 PAGES OF THE SCREENPLAY. CHECK BACK FOR MORE JUICY RIDES ON MONDAY, JULY 20, 2020).